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Come West Along The Road - Volume 1
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Quantity in Basket: none
Code: 01115-DVD
Price:
$22.00
Shipping Weight: 0.00 ounces
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Various - Come West Along The Road
DVD
Description:
This DVD contains more than 2 hours 20mins of
traditional music from the archives of RTE. While some
of the artists would not be well known, there are quite a
few famous names there – Denis Murphy & Julia Clifford,
Darach Ó Catháin, Liam O’Flynn, Planxty, Tulla Ceili Band,
Paul Brady, The Dubliners and Joe Cooley to name but a
few. As you can see, there is something for everyone
review:
An RTE Christmas Gift to Remember By Paul Keating (exerpts with permission)
"Ireland’s national broadcasting service RTE has released
a new DVD called
Come West Along the Road: Irish Traditional Music
Treasures from RTE TV Archives 1960s-1980s that may
travel familiar traditional highways and byways but
contains television footage from their library that is
sure to please all who love traditional Irish music,
song and dance.Some of you may remember the similarly
titled VHS released in 1994 and produced by Tony McMahon,
then one of RTE’s inside architects of their traditional
coverage. The new DVD is produced by Nicholas Carolan
with 47 different tracks culled from over 50 hours of
programming now in its eighth broadcast series from its
treasure-laden RTE archives.Deeply immersed in this
material as the presenter since 1994, Carolan was even
more qualified to select highlights over the first 25
years of RTE coverage (1961-1986) by virtue of his
seminal work as the director of the Irish Traditional
Music Archives, Ireland’s most respected central source
for research in Dublin.In a recent interview on RTE-Radio
1 with Aine Hensey on The Late Session, Carolan allowed
that the choices were personal but they were inspired as
well because of the scope and diversity they offer in
the new effort.There is something for everyone and truly
historic footage in many instances. While many
generations are represented on the offerings, one of the
more important aspects of this new recording will be to
open up that rich musical era to new audiences,
particularly the younger generation who will find a much
simpler but direct form of entertainment than they are
used to viewing on their MTV channels with much less
artificiality and hype.The folk music revival of the
1960s and 1970s is thoroughly reflected throughout,
with the emergence of commercially formed trad bands
and artists who are well-known to us now.
In cabaret settings like the Tallaght venue,
the Embankment or similar stages we witness the early
days of the Bothy Band, De Danann, Planxty,
Stockton’s Wing, the Dubliners and even the Voice Squad
in a Manor House hallway where they give voice to
“The Bonny-Light Horseman.”Since I am of a similar
vintage as these heroes of traditional music, to see
them with long-hair, sideburns and dress of the 1970s
reminded me anew why that is a road that I happily
walked or often times danced along, particularly one
life-altering summer of 1976 while piloting a VW bus
leading to many such escapades in Ireland.
As Irish music thrived or evolved in the 1990s they
owed much to these “commercial” pioneers who honed their
stagecraft from the previous generations who performed
the music, song and dance because it was who they were.
Come West Along the Road also prides itself on viewing
that slice of Irish life captured best at country
fleadhs on the streets or in pubs or houses where
traditional music was a way of life.The early RTE cameras
were perhaps novelties or a nerve-wracking presence to
some, but necessary equipment to bring us up close to
tradition-bearers in settings that were comfortable to
them, even if it was an RTE studio in Dublin surrounded
by a knowing audience.The “video verite” quality is what
it is and the sound has to be viewed in that context
also while it produces many gems. You can see Paul
Brady, Liam O’Flynn, Julia Clifford, Denis Murphy,
Paddy Moloney, Sean Potts, Peadar Mercier, Al O’Donnell,
Tommy Makem, Tommy Peoples, Matt Molloy, Donal Lunny,
Willie Reynolds and fine duet in the very measured East
Clare style by the young Martin Hayes and Mary McNamara.
Those Altan firebrands, Mairead ni Mhaonaigh and her
late husband Frankie Kennedy, show up in a Killybegs
pub session in the thick of it as usual. Even the
legendary Joe Cooley appears in a Peterswell, Co. Galway
pub (1973) playing a reel “The Wise Maid” that is
associated with him.A poignant track at the Gaiety
Theater in Dublin from January 1972, a year after
Sean O’Riada’s death at a memorial concert, features
Ceoltoiri Chualann which plays tribute to O’Riada’s
influence and the rise of the Chieftains simultaneously.
Sean O’Se, in mellifluous voice gives us “Ta Na La”
(It is the Day) in this performance. Paddy Moloney
plays alongside the brother and sister Denis Murphy and
Julia Clifford at a fleadh in Enniscorthy along with
Des Mulkere.Not far from their Capel Street home in
Dublin, the Kellys (John Senior and Junior and James)
give us the reels “Ceathru Cavan” and “Wild Irishman”
in a fiddle trio in an RTE set.Dancers will be pleased
to see some old-style set dancing from Clare fuelled by
the Tulla Ceili Band and Sliabh Luachra with
John O’Leary doing the honors with his Knocknagree mate
Dan O’Connell lashing into it on the floor.Dancing
expert John Cullinane gives us the Liverpool hornpipe.
But the highlight here is Donncha O’Muineachain and
Celine Hession dancing a graceful and energetic slip
jig together that will bring back many wonderful
memories of their early CCE tours in America and
sadly the premature passing of that great dancing
gentleman earlier this year.There are many songs in
Irish and English in this collection, but three stand
out for me. The Abbey Tavern in Howth has long been the
portal through which many folks heard Irish music for
the first time in perhaps a more touristy setting than
we would like to admit. There is no denying the talent
that shared that stage.Indicative of that are Ann Byrne
and Jesse Owens, who emigrated to New York, as they
render that popular folk ballad, “The Lily of the West”
in classic form.At the other end of the spectrum in
Co. Kerry, in 1967, the RTE lens puts us in the middle
of a scene that one could imagine today’s politically
correct police avoiding all together as we spend some
in a rural pub in Ballydavid.Inside are only ould
fellas clad in caps and heavy dark jackets with their
fags filling the room with smoke and fascinated by the
singing in Irish of “An Baile Atu Laimh Lei Suid” by
Padraig Aghas.The pint-fueled love song gets an assist
by a friendly and familiar pubmate who links hand in
hand with the Gaelgoeir helping to crank out the words
to the delight of all in their knowing company. A lovely
you-are-there quality all together.Bridging these two
singing traditions is the late lamented Frank Harte,
who left us earlier this year, singing alongside a
canal “Valentine O’Hara” from his canon.To say this
collection belongs in every home where traditional
music is revered is an understatement. Unlike other
recent DVD releases, the pictures and the brief on
screen text captions with the spare details between
the tracks reveal all you really need to know about
these snapshots from the video legacy of RTE.The good
news is that this is volume one, so look for more
material to emerge with a similar theme. (Many Thanks to Paul Keating for these words!)
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